Response to an Unwritten Poem of Yours Called
"Sorrow for Breathing"
By Elise Matthesen for her love
John M. Ford
Copyright © 1995 and reprinted with permission of the author
Publishers Note: The universe is a sadder place for the long-expected although surprising death on September 25, 2006 of author John M. Ford. He was an amazing storyteller of science fiction, fantasy and poetry, the recipient of many prizes including several World Fantasy Awards and the Phillip K. Dick Award, and nominee for countless others. Known as Mike or Dr. Mike to his friends and fans, he was beloved by all as an all-'round great guy. He struggled his whole short life with poor heath, survived a kidney transplant, and pitched all of his energy into living, living, living. In tribute, the John M. Ford Book Endowment has been established by the Friends of the Minneapolis Public Library where he spent so much of his time. Mike's companion and dearest love, Elise Matthesen, wrote this declaration of love and courage.
You tell me I should not love you
should not;
You'll only bring me sorrow,
only die on me.
"I need what you give me
more than I need sunlight,"
you say,
I tell you I've always suspected
your vampiric nature.
You laugh.
"How could I not love you?"
you say.
"As well not take in air, as well
not breathe;
to sorrow for loving you would be
like sorrow for breathing."
And you take my outstretched hand,
drawing me on
to another city,
another chapter,
another of the long lamplit nights
where we pause, panting for breath,
waiting for the quill of the chronicler
to catch up.
"As well not live as not love,"
I say to you.
As well try to convince the lungs
not to draw in that next
measure of air
as teach my hand not to reach
for the curve of your cheek,
my foot not to take that
next step
bringing me into the circle
of your arms.
Each breath, you remind me,
is one closer
to the time when all the breath there is
will do one of us no good,
and the other of us will turn alchemist
transmuting good air to sobs
or sighs
or silence.
Each step is one closer,
is one more bead on the string
that leads to the dangling cross
of grieving.
The tiny carved features look up at me.
As well not love as deny this grief,
wrapped in the joy of what is
like a sweet the color of garnets
wrapped in bright foil.
I finger the beads,
listen to your warnings,
hearing under them
your need,
your desire.
"I am not sorry for loving you,"
you say,
and I know you are thinking
of inevitable losses.
You conjure a smile from somewhere.
Our eyes meet.
And still
that pinned figure
arms splayed, mouth in rictus,
swings at the end of the string.
There are mystics who talk
about Peace in the Passion.
There are country folk who walk the fields
after the storm,
quietly,
watching for the bow
across the sky
and the sparkle of rain
on bent stalks.
I remember the night
you brandished an imaginary clock at me,
hissing,
"Look at the hands!
You can see them move. Is
this
what you want?"
What I want
is all
of this: each breath,
each step,
each bead on the string,
and the cross, too,
if that's part of the deal.
"Only another fifty years,"
I say, "and then I promise
to let you go."
"I can't guarantee you five,"
you rasp, waving
at the bottles of meds
on your tray.
"Hell, I can't
guarantee you five months." And I
catch your hand in mine
and say, "No one
ever could, dear heart,
ma croidhe.
But as well not breathe,
as not love."
And whichever ending
the chronicler writes,
pray one of us
will have the wit
to step outside whatever small room
shelters that private passion play,
stand in the cool night,
look up,
and draw in
a lungful of stars.
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