MII Mask
MII Bar
Home
Mythic Journeys
About Us
Calendar
Other Events

Podcasts
Navigation
Pressroom
Links
Marketplace





Mythic Passages - the magazine of imagination

The Saint Francis Poems
© 2007 David Brendan Hopes,
used by permission

III
Clara Scifi Consults the Flowering Crab Concerning Her Lord Obedience

I have been obedient two or three days together.
I danced for the one-eyed fiddler man,
gave bread to the rich to make them wonder.
I held a cardinal rose between my teeth
to see them blush, the grave young men,
too young
   to blunt their hearts on God.

I have done sometimes what must be done.
I kissed lepers on their aching mouths.
I lay in bed a whole day
and made my sisters bring me
trays of apricots and yellow cream.
I heeded you, my savants,
   sustaining bones, wise feet, lungs

ever simple in the sea of air,
hands, nerves, attentive blood
flowing through, finding where I hunger.
I learned your ways and followed,
so to keep this world,
this hurly-burly beauty,
   this beast hock-deep in stars alive.

A ragged man knocked at my father's door.
Not the first nor the second time
that he said follow me did I understand
it was no request.
Thereafter I have ridden my bare feet
through briars and my rough smock
   through doorways where my friends

remember me in miniver and vair.
My ragged saint said, Grieve, Clara.
The world does not remember you.
So in obedience I grieved till I grew merry in it,
and when he said rejoice , I did not know how.
I built jubilation from the ground up.
   I made my soul a body dancing over mirrors.

I have been obedient two or three days together.
I have stood looking out to sea
as though the Lord my Lover would return
beneath a billowing sail.
I've stepped into thieves' firelight, and begged,
and they gave, fearing to come
   between me and my furious acquiescence.

I've perplexed the dying with a joke,
because the time was commanded
to be glad in.
Always I have walked beside sir ragged bones
waiting if he said rise up
to rise, and if lie down to lie on straw
   and dream of satins where I lay before.

I have been obedient but for the day
I crept cat-like back into my father's garden
where the flowering crabtree wore her Whitsun,
all scarlet in the sky-blue town.
Through my rags and boils
she knew me.
   As when I was a child I curled

my hurts against her. Then I heard
the crabtree say, Abide. Abide.
I've kept my flowers for you an extra day.
Take the dry spear out of your side.
Pack the prickly crown away.
Sit in my shade and think your thought
   of what are the goods and what's the price,

of who has loved you and who cannot,
of bony saints mewling in paradise.
I am pink in the sad gray town.
I am fire in a field of ice.
Why'd storm kiss me when it blew the steeples down?
I shake out my beautiful hair and go
   round her and round her, and do not know.

Read more of The St. Francis Poems
I & II


David Brendan Hopes teaches all the creative writing genres at the University of North Carolina, Asheville — poetry, fiction, non-fiction, playwriting — and has developed de facto specialties within the department in Shakespeare, Drama, Irish Studies, Milton, and the Romantics. His poetry has been published in the volumn Blood Rose, as well as the author of A Sense of the Morning: Field Notes of a Born Observer, essays on his observations in the wild; Bird Songs of the Mesozoic: A Day Hiker's Guide to the Nearby Wild, both books in The World as Home series from Milkweed Editions. He has won several important playwriting prizes. Abbott's Dance (Siena Playwrights Prize Winner, 2003) and Man in Flight were both performed in New York, and The Class of 1950 was premiered in Nashville at the Southern Playwrights' Conference. 7 Reece Mews premiered in New York in 2004, and a one-act called Piss appeared at the theater festival in Liverpool, England, in the fall of 2003. Hopes is staff writer for The Critical Review, and has poetry forthcoming in a number of national periodicals. Active in the local theater scene, he appears regularly with Asheville Lyric Opera, Asheville Community Theater, Area 45, Highland Repertory Theater, and is a bass with Cantaria men's chorus and the All Souls Cathedral Choir.

Return to Passages Menu

Subscribe to the Passages e-zine